There are two types of agreements, multilateral and bilateral. Below is a list of existing agreements: creating alliances between schools and training organisations to strengthen film education and training. The creation of a single Commission to monitor, facilitate and, if necessary, propose changes to the original agreement. Between 2005 and 2015, 560 feature films were co-produced abroad. Co-productions governed by international agreements are considered domestic productions, which means that access to financing is the same as for productions that are only national. – European Union Agreement on Bilateral Film Co-production – Facilitating the initial and ongoing training of professionals through film education and promoting alliances between schools and training organisations to promote student mobility. The creation of co-production agreements between France and Colombia, which will enable them to benefit from the benefits of this activity, in accordance with the legislation in force in each country. Audiovisual co-productions, governed by international agreements and considered national as such, can benefit from the following advantages: – facilitate audiovisual co-production procedures. Increase in the number of co-productions between the parties. – Ibero-America Agreement for the integration of Ibero-American filming Download (Co-Production-Agreement-Film.docx) and use this checklist when negotiating a Co-Production Agreement Film to assist you reaching an agreement on major deal points. Flip this Word document with the details to make it easier to write your agreements. The ICAA (Institute of Film and Audiovisual Arts, which is part of the Spanish Ministry of Culture) signs and manages co-production agreements to facilitate filming agreements between Spanish and foreign companies. Agreement granting mutual benefits in the fields of film production, and more specifically: international co-productions are films that are produced in collaboration with foreign companies governed by existing international agreements or, in their absence, by the general rules of film legislation.